Designing Deep Meaning Into Donor Art

"Real art -- as opposed to decorative art -- touches the soul and reaches the viewer emotionally. It expresses energy, life force, and has deep spiritual meaning that can help the viewer transform pain and suffering to reach a higher state of consciousness."

--Jain Malkin, leading healthcare interior designer


When my team of graphic designers and I begin a carved crystal Donor Wall, we approach the work as artists. We are not looking to create something that is merely pretty. We are creating real art, so we start by focusing on the deep meaning of the piece, and we choose for images and symbols that will convey that meaning. Of course, we also add straightforward elements -- a formal appreciation statement, donor names and giving levels, and inspirational quotes.

But often the silent language of the symbolism speaks as loudly to viewers as the literal words we carve into the surface of the crystal. This is because we choose symbols and images rich with associations to our cultural and spiritual history.

“Christina Amri fell into a different category than any of the other donor recognition companies I’m familiar with. Her work is so creative. When I first saw her art, I realized you can have so much more than just names on a wall.”

--Mary Lou McCaa, University Hospital Foundation, University of Utah


A good example of how we design deep meaning into our art glass is our recent installation of a Donor Wall at Community Hospital of Monterey Peninsula. Let me show you that mural and walk you through why we chose the images and symbols you’ll see.
The process began when Amy Goodman, curator for the hospital’s extraordinary art collection, CEO Steve Packer (far right), Foundation head Al Alvarez (far left), and hospital Board members engaged in a very thoughtful dialogue with designer Arlene Rhoden and myself as artists.

This and most of the other photos in this post are by the talented Gabriel Harber

At first glance, the 10-by-18-foot wall of carved and etched glass appears to be simply an image of Monterey Bay, its blue waters sparkling with sunlight and a snowy white egret lifting into flight on the left side of the mural. Had we been designing this wall for display in a private home, a scene of great natural beauty might have been enough. But to create a true work of art, there must be a deeper meaning.

In this case, our Donor Wall needed to symbolize the dedication, skill and vision of the hospital staff as well as the caring, vision and generosity of its donors. The wall, to be situated in the main lobby of the building, also needed to set a positive and reassuring tone for patients and their families entering the hospital.

Thus, we chose to portray the serene, light-dappled waters of Monterey Bay. Water symbolizes healing (the hospital’s role), it is life-giving, it nourishes our body and spirit. Water is an important symbol in most spiritual beliefs, Western and Eastern alike. In the Judeo-Christian tradition, God is called "the fountain of living waters." In addition, water symbolizes wisdom (a reference to the skill of the medical staff).

At Community Hospital of Monterey Peninsula, water is also a key feature of the physical environment. Ponds and fountains provide refreshing and relaxing elements inside and outside the buildings. For all of these reasons, we chose to use an expanse of water as the background for our Donor Wall.

The theme of water was picked up again in the deep V-carved quote about generosity from Maya Angelou, words which span nearly the full width of the mural:


When we cast our bread upon the waters,

we can presume that someone downstream
whose face we will never know
will benefit from our action,
as we who are downstream from another
will profit from that grantor’s gift.

Next we wanted to bring in symbols signifying the latest scientific discoveries to express the hospital’s joint mission of compassionate care with cutting-edge medicine. Across the foot of the mural we added short columns of bars, which are stylized images of DNA fragments that have been separated and sorted by size, an essential first step in a creating a genetic profile of an individual.

These floating bars morph beautifully into the patterns of light dappling the sunlit waters. And, because DNA contains our inherited genetic code, this imagery also symbolizes the passing of gifts from one generation to another -- from the hospital’s community leaders and generous donors of the past to those of the future. Lastly, these bars or boxes serve to mirror the distinctive decorative features built into the hospital by its original architect, the renowned Edward Durell Stone.

On the left of the mural, we added the image of an egret spreading its wings either to land or take flight. Incorporating a living creature into the scene brought life, warmth, and a sense of scale to the Donor Wall. It helps viewers connect with the entire mural. Symbolically, birds stand for hope, an important subconscious message for patients and their families. Birds also soar, and the upward movement of the bird portrayed here implies the soaring of thought, spirit and imagination.

Because the egret is shown at the moment it breaks free in flight, it symbolizes Community Hospital’s role as a courageous agent of change and leadership. Immediately to the right, a 23-karat-gold-leafed quotation from local poet Robinson Jeffers ties in with the image:

Lend me the stone strength of the past
and I will lend you the wings of the future,
for I have them.


These inspiring words connect Community Hospital’s tremendous legacy of philanthropy with the promise of an innovative and hope-filled future. They speak to the importance of blending a strong foundation with visionary innovation. (All the quotations we used are from local figures and were collaboratively chosen with help from the hospital foundation. They all “speak to each other” within the design and help form the “graphic landscape.”)

Last of all, and I confess it will be hard to show you here, is the symbolism in the colors and timing of the lighting system we programmed. Soft, multicolored LEDs illuminate the crystal panels in a subtle four-minute cycle patterned after the 24-hour cycle of a day. It begins with the pinks and yellows of sunrise, moves into the brighter light of day, then softens into the turquoise of sunset and the cobalt blue of nighttime. (If you click on the side-by-side image above, you can best see the colors shift in the curving lines at the upper right.)The lighting never shuts off, just as the work of Community Hospital never ends. Both continue day and night, providing healing, inspiration and solace for all who visit.

Al Alvarez, Chief Development Officer of the Community Hospital Foundation, says that patients, staff and volunteers alike are often found standing reverently in front of the wall, “as if they were in church.”

True art, unlike mere graphics, works on many levels. It communicates explicitly and implicitly. It thanks, honors, recognizes, and acclaims. It inspires and it comforts. It touches on our shared history and points toward a mutual and positive future. This is our goal for every work of Donor Art that we create.

P.S. Jain Malkin, whose quote I used at the beginning of this post, is working with us right now on an amazing project. Stay tuned to see what we do with the interactive Kettering Tribute at the beautiful new Schuster Heart Hospital in Kettering, Ohio.

We're in the News

We’re excited! We’ve just had our work featured in the May issue of Signs of the Times magazine. You can see the page online by clicking here.

Senior Associate Editor Steve Aust did a very nice piece – with photos -- on our Donor Recognition Wall in the Marriott Library at the University of Utah in Salt Lake City.

Signs of the Times, which has been publishing since 1906, aims to educate and inspire graphics and signage professionals worldwide. We're honored to be in their pages!

A Culture of Honoring, Part I

The aspect of my work that touches my heart most deeply is being part of what I call a culture of honoring. We are brought on board when a client wants to deeply thank and honor its donors for their generous support. But for many years now, our studio has innovated Donor Walls that go beyond a mere “accountant’s list” of the names of big, medium and smaller donors.

We understand that the entire community that contributes to an institution’s success needs to be honored. That why we weave into our artwork the institution’s identity -- you might say we "crystalize " the heart, mind and spirit of the organization -- along with the donors’ names.

The result is an Art Glass Mural that has something to interest every visitor who passes. At the University of Utah Hospital, for example, the Donor Wall (above) consists of beautifully etched and gold-leaf-filled leaves of their local aspen trees along with a gratitude statement, inspirational quotes and over 1200 donors’ names. Says Mary Lou McCaa, of the Hospital Foundation, “It’s wonderful when you go in the hospital and see people standing there staring at your Donor Wall. Just taking it all in.”

Detail from the Donor Wall at the University of Utah Hospital

We foster a culture of honoring within our own Studio by thanking and recognizing our team members. One way I do this is by adding the names of significant longtime individual contributors to our Amri Studio Wall of Honor, which is mounted in our graphic design room. The wall consists of 32 glass plaques. Deep, V-carved, copper- and gold-leaf-filled text highlights names, awards the Studio has won and inspiring quotations. As you can see, our Wall of Honor is designed so that it can easily be expanded with new names.

We pride ourselves on being a "turnkey" Studio that provides our clients with every service from initial consulting to design and fabrication through lighting, cabinetry and complete installation. Today I want to honor everyone whose work goes into getting our huge glass and crystal walls installed at the client’s site. These are the people who drive or fly with me all over the country to ensure that our Art Glass is carefully hung and lit. They are a multi-talented crew and they rarely get much public acknowledgment. I hope you’ll enjoy reading about them even a tenth as much as I enjoy working with them!

Before an installation even begins, we turn to our longtime cabinetmaker, Terry Holleman. Terry is a hugely talented individual who designs, engineers and makes all the custom hardwood and Corion/metal lami LED mounting brackets, cabinetry and wall surrounds for the crystal plaques and murals we create. He is the owner and lead designer for Holleman and Company Cabinetry in Sonoma, CA. He is also a gifted fine-art painter. You can see his work at his website.

As permanent as our Art Glass panels look once they are installed, they can actually be mounted in hidden swiveling steel brackets for ease of access when it’s time to add new donor names onto a second easily updated crystal or clear acrylic layer. I want to give special honoring to the man who has designed, prototyped and machined all of our specialty metal components over the years. Fred Oberti was a brilliant, funny and talented machinist and a true gentleman. He passed away this year and I sorely miss him. Even during his last illness Fred insisted on finishing a final important project with us. THANK YOU, FRED!

Fred’s swiveling brackets have to embrace an extra challenge because we use programmed LEDs to illuminate our Art Glass Walls. The hinges and other hardware that attach to the crystal panels must allow room for the LED wiring to run through them without impeding their function.

This brings me to our lighting wizard and electronic engineer, Tim Feldman, who has worked with us for decades. Tim creates custom-made strips of colored LED edgelights, which he can program to shift on a timed cycle or in response to the approach of a viewer. His work adds a whole new dimension to our carved and etched glass walls. Tim is the owner of Electric Algorithms in Davis, CA. He has created software and hardware for firms such as IDEO, eInstruction Corporation, D&P and Hewlett-Packard.

With the brackets milled, the hardware machined, and the lighting programmed, the final pieces are in place for an installation. Our on-site install team is led by Charly Rinn, a talented and successful millwork designer and fabricator in his own right, who has been my lead installer for over 16 years. Charly has worked with me on just about every major installation I’ve done.

He is the owner and founder of Exceptional Wood Products in Geyserville, CA. His firm does high-level, award-winning, contemporary and historic architectural woodwork, including stairs, molding, columns, wainscoting, cornices, door surrounds and cabinetry. Charly also designs and builds our custom shipping crates for the thousands of square feet of crystal panels we ship nationwide.

Joe and Charly at the installation for Community Hospital of Monterey Peninsula.
Below, Joe and Christina Amri.

Charly has two assistants who work with him. Joe Delgado is a carpenter par excellence. In a past life Joe was a gourmet chef, so when we’re on the road, I put him in charge of finding places for us all to eat. (He’s a genius at decoding the menus in sushi restaurants.)

Installing the wood brackets on a Donor Wall at Marriott Library at the University of Utah

Another wonderful member of our install team is Jason Montgomery, a furniture maker based in Portland, OR. Jason is also a gifted musician who plays guitar and stand-up bass professionally. I am in awe of the multitalented folks I work with!

Charly and Tim in Monterey

We’ve made a recent addition to some of our install trips -- our talented new process photographer, Gabriel Harber of Oakland, CA, who gets some amazing shots of everything that goes on during an installation -- and of the folks who do it. He has a real gift for capturing the telling moment. Most of the photos in this post are Gabriel’s work.

These are the folks who make it possible for our carefully designed and carved crystal panels to be mounted in hospitals, universities, and businesses across the country. Their jobs aren’t always easy (like the day -- pictured above -- when temperatures of 17 below caused a water main to burst in the lobby of a hospital where they were installing a huge crystal mural), but they invariably handle everything that comes up with professionalism, grace and good-natured humor.

Donor Wall at the University of Virginia

Lastly, I want to honor Bob Davidson, who took on one of our first, largest and most complex installations: the University of Virginia School of Medicine. A talented artist, art professor, architect and contractor, Bob guided, engineered, ran and collaboratively supported all the initial growth at our Studio. He built our sandblasting booths, the racks that hold our huge panels of glass, our glass-moving trolley, and even our second-story mezzanine. Without Bob’s loving and generous support, his amazing creativity and his problem solving skills, our Studio would not be here today!

I thank you ALL for your talent and your heart. This loyal "band of brothers" has taught me everything I know about installation, enabling me to speak authoritatively to our clients. They have supported and admired the workmanship and art of our endeavor. And they have adventured with me through late-night airports big and small since we first expanded to creating truly large-scale Donor Walls 18 years ago. You are the best!

The Artisanship Behind Our Art


True art is created by the human hand. That’s why we use no machine carving, laser etching, or chemical processes to create the Art Glass Donor Walls, Tributes and Signage that we are famous for. All of our award-winning pieces are meticulously carved and etched by hand.

How do you carve and etch a material as delicate as glass? Ironically, it’s done by SANDBLASTING.

Whether we are doing bas-relief carving to create the alabaster look of birds in flight or chisel-carving true V-cut letterforms (a monument-style technique once only possible in stone), the work is all done by directing narrow streams of air-propelled particles (originally, sand was used) to the back or front of thick sheets of crystal and glass.

By altering the speed of the air, the size of the nozzle, the angle at which the nozzle is held, and how long the stream of “sand” is directed at a given area, a marvelous range of different effects can be created.

Christina Wallach Amri began her career over 35 years ago in Paris, where she apprenticed with a fourth-generation family of glass artisans. Among other projects, she worked on restoring the famous stained glass windows of Chartres cathedral.

When Christina returned to the U.S. and founded Wallach Glass Studio (now Amri studio), she began developing techniques for etching and carving glass to resemble the timeless and elegant stone monuments she saw in Europe. She also brought her experience and studies as an art major at U.C. Berkeley into the sandblasting cabinet and began truly sculpting in glass. Now we are the deepest bas-relief glass carvers in the U.S., sometimes working on panels as thick as a full inch.


In the late 1990s, with the invention of sophisticated photo manipulation software, Amri Studio began working to find a way to increase the delicacy of its carved lettering and artwork and to etch highly detailed photo portraits in crystal and glass. The biggest hurdle to overcome was the fact that when converting a photo into dots, a process they call dithering, the image loses a lot of detail.

We restore the fine details in a highly skillful, artistic and technical process we’ve developed that takes up to 20 hours per photo. When the resulting image is then carved into crystal or glass, each tiny dot is scooped out by a blast of “sand,” creating a tiny bowl shape. When the sandblasted image is edge-lit by LEDs, the little bowls collect the light as it travels through the crystal (which acts as a fiber optic) and the image looks dramatically three-dimensional.

Thanks to the proprietary techniques we’ve developed for creating our signature chisel-cut, three-dimensional lettering and highly detailed photo portraits, our Art Glass panels -- whether they are Donor Recognition, Tributes or Corporate Signage -- brilliantly catch the light and read crisply at quite a distance with either ambient lighting, spot lighting and/or edge-mounted LEDs.

Christina sig

A Fruitful Year

It has been a fruitful year for us at Amri Studio, and we wanted to take a moment to share some of its visual highlights with you before we close for our annual holiday vacation, Dec. 24 through Jan. 3.


From St. Mary's Hospital Heritage Wall

These projects are so recent, they are not yet on our website.  In fact, one of them was just installed last week. Please read on for a sneak preview . . .

We created a 20-foot long Art Glass Mural and Donor Wall alongside a custom Donor Tribute dedicated to J Willard and Alice Marriott at the ultramodern Marriott Research Library at the University of Utah in Salt Lake City.

 
 

We had the honor of attending the opening of the new building, which was dedicated by former First Lady Laura Bush.

At Boston Children's Hospital we created an inspiring and playful Donor Wall, which included a custom-programmed Interactive Crystal Plaque placed at child height to entertain young patients.

A quiet seating area became a sacred space, the new Mathews Chapel at Prentice Women's Hospital in Chicago, when we enclosed the space and mounted softly lit and exquisitely carved Art Glass panels of blossoming almond trees.

Two dark 100-foot hallways were transformed by an Art Glass Donor Wall and separate Heritage Wall, tracing the stirring history and heartfelt values of St. Mary's Hospital in Grand Junction, Colorado.

Cascading roses and a rosary of pearls morph into a dotted line showing the route of a 19th century sea voyage, then into railroad tracks marking a journey crossing the Wild West, and are finally transformed into the beads on a teething ring held by a baby in a nurse's arms. These were the key elements in the largest installation we have ever done. 

 
 

Wishing you all the happiest and safest holiday season.  We are looking forward to some exciting projects in 2010!

Christina sig 


More Than Just a Wall

Question }  When is a donor wall . . . not just a wall?

Answer }  When its innovative spiral design breaks free from the limits of two dimensions and becomes a breathtaking piece of free-standing Art Glass Sculpture, dedicated to the memory of the beloved wife and son of a medical center's Major Donor.

  

Institution: Florida Hospital Cardiovascular Institute in Orlando, part of the Adventist Health System

Donor: The Alan Ginsburg Family Foundation

Source of inspiration: A Biblical quotation provided by the donors:

Faith, it is a tree of life to those that grasp it.

PROVERBS 3:18

Highlights: 13 crystal panels deep-carved and etched with “Faith” text in eight languages which overlap the vivid images of leafy trees, making the sculpture a memorial grove for the honorees. Panels are mounted in a custom hardwood base and illuminated by soft amber and pink LED's. 

The Meaning Behind the Form: The gently undulating clusters of text visually echo the rhythm of the human heart beat – an apt effect for a cardiovascular facility.

First Place Winner, Unique Signs Category

2009 International Sign Contest sponsored by Signs of the Times magazine

Projects from 2009

As we look back on the many projects we have been privileged to create this year, I think the words that best describe them are "acts of light." I also think this is the perfect way to describe what generous donors do when they make gifts to their favorite institutions: They are truly committing "acts of light" that affect everyone they touch....


light, my light
the world-filling light
the eye-kissing light
heart-sweetening light
. . .
the light is shattered 
into gold on every cloud
my darling
and it scatters gems
in profusion
TAGORE

Donor Tribute and Room Plaques, University of Arkansas for Medical Sciences 

 
 


Personal Tribute to Heather Pick, Nationwide Children's Hospital

 

Art Glass, Memorial Sloan Kettering in New York


Art Glass, Mathews Chapel at Prentice Women's Hospital in Chicago

 
 
 

Donor Wall and Interactive Art Glass, Children's Hospital Boston


Donor Wall and Donor Tribute, Marriott Library, University of Utah

 
 
 

Heritage Wall, St Mary's Hospital, Grand Junction, CO

 
 
 
 

Donor Wall, St Mary's Hospital, Grand Junction, CO

Christina sig

Amri Studio Launches its BLOG

An intriguing question:
What does Chartres Cathedral have to do
with state-of-the-art carved crystal Donor Recognition
and architectural art glass?
Read on

Welcome to our just launched BLOG!

Come explore with us the roots of the exquisite, artisan-crafted contemporary landmark icon Tributes that we design, fabricate and install all over the country into Institutions that are changing the world.  These cutting-edge Medical Centers, Research Institutes, Universities, Corporations and Performing Arts Centers are looking deeply, bringing communities together, and asking us:

"How do we deeply and sincerely
honor gifts of time and heart and genius
in a way that inspires and celebrates?"

We are responding. We delight in our unique medium. This is our 34th year creating permanent monument style illuminated carved crystal art glass whose design reflects the heart and spirit of the Institution and its Community; whose layered translucent content is filled with striking permanently etched and dimensionally 3-D carved inspirational quotations, art, and portraits.

Chartres three kings

The reverence and devotion to fine design and craft as a way of expressing the beauty and mystery of creation is something we carry forward from our apprenticeship in Paris in the early 70's, restoring the famed 12th century stained glass windows of Chartres Cathedral.

The same magic of light and color from the ancient cathedrals, infuses our own LED edge-lit optical crystal panels — to touch us , inspire us and celebrate all our inspired and generous philanthropic ACTS OF LIGHT.

For what better MISSION is there than the intersection of your passion with the world's need?

Christina sig